The most technically involved project I've taken on. Theo Ubique is an intimate cabaret space where the actors move through the audience — which creates a specific and brutal engineering problem. Speakers need to cover the audience, but the actors are right next to those speakers with open mics, which means feedback is always one wrong decision away. The challenge wasn't volume. It was control.

I mixed several shows in the run and handled sound design for the production — designing the immersive environment from the ground up. I was also responsible for any post-production audio used in marketing materials. The overall sonic approach was developed in close collaboration with the Music Director: fewer mics, cleaner signal paths, amplified sound that didn't sound amplified.

Challenges included creating a genuinely "acoustic" feel through a PA, managing a tight rental budget, and learning theatrical production workflow on the job — fast.